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  • Indigo transfer grade published on every pair
  • Prices in USD only
  • Free standard shipping over USD 129

Denim trousers · Bari, Italy · shipped worldwide

Same block,
six washes.

We also tell you which ones will rub off on your sofa.

Every pair here is cut from one of three blocks and finished in one of six depths of indigo. Each one publishes the grade at which its indigo transfers onto other things, how much it shrinks, and seven measurements per size — before you pay, not after you complain.

Six identical pairs of denim trousers laid in one row on linen, running from near-black through mid blue and pale blue to undyed cream and unwashed indigo

One block. The only thing that changes across the row is the indigo.

30

trouser styles

cut from three blocks

6

depths of indigo

rinse to undyed

1–5

transfer grade

published on every pair

Free standard shipping over USD 129 · prices in USD only · 14-day right of withdrawal

Five white cotton test cloths in a row, the left one heavily stained with blue indigo and each one to the right progressively cleaner until the last is white

Five test cloths, rubbed against grade 1 through grade 5 cloth under ISO 105-X12

The second thing you see

This is what
“dark denim”
actually means.

Indigo sits on the outside of the yarn rather than inside it. On a deep pair it comes off on pale chairs, on bag straps, on the inside of light shoes and on your hands. Nearly nobody in this trade puts a number on it. We put it on the product page, on the matrix, in your bag and again at checkout.

How we test it
1

Heavy transfer

Will transfer indigo onto light fabrics, bags and skin. Wash separately, and don't sit on a cream sofa in these for the first month.

2

Heavy transfer

Will transfer indigo onto light fabrics, bags and skin. Wash separately, and don't sit on a cream sofa in these for the first month.

3

Some transfer

Some transfer in the first few wears, mainly when damp.

4

Minimal transfer

Minimal transfer expected.

5

Minimal transfer

Minimal transfer expected.

Fit & wash matrix

Read a row
left to right.

Everybody else sorts denim by new arrivals, by gender, or by fit. None of those are what you are actually deciding between. You are deciding how dark to go, and what that costs you in transfer. Here is that decision, laid out.

Hover or focus a cell for its transfer grade, shrinkage and stretch

Fit / wash
RinseDeepest
MidStandard blue
LightPale blue
BlackSulphur black
EcruUndyed
RawUnwashed

The block is the same across a row. Only the wash and the indigo change.

Two cells are empty because those trousers are not cut. Nothing has been substituted to fill them.

One block, six depths

Six pairs.
One pattern.

Same waistband, same rise, same seat, same leg. The camera moves at a constant speed from the deepest indigo we run to the cotton that never went near the dye vat, so nothing about the comparison is flattered by an angle.

Silent looping footage of six pairs of denim trousers laid in a row on linen.

Unwashed denim, over time

Nothing here fades
on our behalf.

Line D leaves the factory the way it left the loom. We do not put a worn pattern on it, and we do not pretend one is already there. What follows is what actually happens, in the order it happens.

Three identical pairs of unwashed denim trousers side by side: one brand new and uniformly dark, one with faint creases behind the knee, one heavily faded with a worn seat and frayed hems

Day 0

Stiff, dark, and a size long

Unwashed cloth arrives hard enough to stand up on its own. It is cut long on purpose, because the first soak takes 4 to 5 per cent out of the length and 2.5 to 3 per cent out of the waist. Do not hem it yet.

Month 3

The first honeycombs

Pale lines appear behind the knee and at the hip, where the cloth folds the same way every day. This is abrasion, not damage, and it is the reason the trousers will not look like anybody else's.

Year 1

A record of how you sit

The seat and the thighs have gone several shades lighter, the hem has frayed where it meets the floor, and the indigo that was going to come off has come off. Transfer is no longer something you have to plan around.

The rub test, on film

A white cloth,
ten strokes.

ISO 105-X12 is not complicated: a standard cotton cloth is rubbed across the surface ten times, dry and again wet, and the stain it picks up is read against a grey scale. The number that comes out of it is the number on every product page here.

Silent looping footage of a white test cloth being rubbed across dark denim and lifted to show the indigo it has picked up.

On every product page, without exception

Eight things we publish
before you pay.

Technical flat sketch of a pair of trousers with seven measurement arrows drawn across it

01

Indigo transfer grade

A number from 1 to 5 with the test method named next to it, and the fixed sentence that goes with that band.

02

Fabric weight and composition

Ounces per square yard, the fibre names in Italian and English, and the elastane percentage where there is any.

03

Shrinkage, in figures

Unwashed pairs state expected loss in length and in waist. Pre-washed pairs state what is left to lose.

04

How the waist behaves

Anything with elastane in it states how far the waist opens over an hour of wear and what happens after a wash.

05

Abrasion process, named

Enzyme wash, stone wash, laser etch, hand rub, or none at all. Never sandblasting — see the statement below.

06

Two lines of origin

Where the cloth was woven and where the garment was made, as two separate facts.

07

Seven measurements per size

Waist, hip, thigh, front rise, back rise, inseam and leg opening, taken flat, listed for every size we cut.

08

Who is wearing it

The height and weight range of the person in the measurements, and the size they have on.

If any one of these is missing from a product record, that product does not appear on this site at all. That is enforced in the code, not in a policy document. Read how the checks work.

Three details
people ask about.

The stitch on the back pocket, what the first wash has to be, and what happens after it. All three are on every product page too — this is just where they are easiest to see.

Macro of a plain back pocket with one straight horizontal line of stitching and a short vertical tick descending from its centre

The stitch

One line and a tick

A single straight line across the pocket with one short tick dropped from its centre, in thread the same shade as the cloth. No arcs, no wings, no chevrons — deliberately, because those shapes belong to other people. Nothing on this site imitates another maker's mark, carries a licensed character or borrows a registered trade mark.

A single pair of dark indigo trousers alone in a white enamel basin of faintly blue water

The first wash

On its own, every time

Anything graded 1 to 3 for transfer goes in the drum by itself the first time. This is not a suggestion buried in a care label — it is printed on the product page, and again at checkout when it applies to your order.

A pair of jeans turned inside out and folded, beside a basin of water and a white cloth

After that

Inside out, cold, hung up

Turn it, wash it at 30 °C, hang it. Never tumble dry anything from this site — heat is what takes the length out of cloth that had none left to give.

Everything on this page is repeated where it actually matters — on the product record itself. The full reference has the test methods, the shrinkage table and the process statement.

A process we do not use

No sandblasting,
on anything, ever.

Blasting denim with abrasive grit to fake wear puts silica dust into the lungs of the person holding the gun. It causes silicosis, and it is prohibited in the European Union. Nothing we sell has been through it.

Where a pair has been abraded at all, the process is named on its page: enzyme wash, stone wash, laser etch or hand rub. The field is mandatory, and a record that names a blasting process cannot be published at all.

The full process statement
Three flat denim panels showing a machine-etched fade, a hand-rubbed fade and an enzyme-softened surface

Laser etch

A pattern burned into the surface with light. No dust, no grit, no operator exposure.

Hand rub

Abrasive pads worked by hand over a form, with extraction at the bench.

Enzyme wash

Cellulase in the drum softens the surface evenly. The most common finish here.